4.04.2007

on the obvious.

Very, very often, and depressingly, I run into an article that sounds very interesting, but end up finishing it with the thought 'and...?'

This piece, though written well enough, left me with that feeling.


Maybe it's because I'm one of the 20-something university students the article deals with, but it can basically be summarised as 'new methods of distribution change the way people interact with content.' This is, to someone of my generation, similar to a news bulletin that reads 'eating found to reduce hunger', and I hope most people would get the same response.

The article does make the comparison to DVD content, and the difference of experience that comes with watching a story in succession, rather than parceled out by the creators or corporations. Technology is about control, and being able to determine when and how you watch a TV show is worth 1.99 an episode, or 25 bucks a season.

"What will be interesting to see is how the iTunes model will eventually affect these 20-somethings’ viewing habits as they get older. [...] Whether through the “low-tech”method of waiting for DVD box sets to be released, or the instant gratification of the iTunes Store, it looks like viewing habits are being molded."

What's actually interesting, in my opinion, is not just the changing of viewing habits, but the changing of the model of communication, and the alteration of the social experience. Television creates cultural moments because it creates a situation where a large number of people are watching the same thing at the same time. In the 20-somethings of today, you can rarely have a conversation about the episode of heroes that aired last night, because three people are still downloading it.

The article mentions convenience, and scheduling, but misses the larger point. The target audience of many television shows is now unwilling to be told how to watch, when to watch, and even less willing to watch only once. We're used to having control over our entertainment and information, and television is a blip on the otherwise consistent evolution of entertainment content; where, at least to a point, the user decided how and when things will be done. When you see a play or a movie, you pick which showing, fitting it into your life. With a book, you read how ever much you want, whenever you want.

Television networks and cable companies have created a system that works well for them, and that model doesn't shift well. Content on demand means that product placement can't be supplementary television advertising, it means that you won't get viewers for crap just by placing it before or after something of high quality.

It's not that viewing habits are being molded. The issue now is whether the television business model will continue to be adapted to the way people interact with TV shows now, or if they will fall into an embarrassing strategy of harassing consumers to ignore technologies they don't approve of, like another industry based on entertainment content.

[Short commentary on end link: Is this happening? This is beyond idiocy, and far past the border into self-parody. I'd post on it at length, but I don't think I could do it without my head hurting.]

1 comment:

Angus McQuarrie said...

On the obvious indeed; That article smacks of the type of stuff you see on early morning television, written by the same type of people who warn parents about the dangers of 'chat rooms' and 'instant messaging' (Quotes included vocally.

Nevertheless, a healthy response which summarizes my own opinions on the matter exactly. It really is a Gen Y thing: Even GenXers will dedicate that night to watching 24. We live on the internet, and we'll pull what we want, check out what's hot in the blogosphere, and your shitlock shows can _burn_ (Notice the lack of downloads of America's Next Top Model and Survivor?).

Interesting that the shows they mentioned are all the long-story arc tension shows like Lost, 24, Heroes, Prison Break, and not Reality TV which arguably requires you to see the episodes in order too. I think there's a handful of us that are actually watching that crap, and the majority of their viewer base is restricted to GenX and above.